Aunt Aggie and The Alligators
Aunt Aggie never had babies. 
She had alligators 
that floated under leaf wet logs. 
She had a mud brushed shack 
beside a slow moving river 
downwind of Ocketawna Swamp. 
She had boxes of fossils 
on her kitchen counters. 
Six foot long rattlesnake skins 
hung as decorations 
on her front porch.
Half Cherokee, half Irish, 
Aunt Aggie had one brown eye 
and one blue; she had two 
bright silver braids that swung 
past her ass when she danced. 
Aunt Aggie smelled like cypress, 
muddy boots and fresh mint tea. 
Her hands were as loving tough 
as summer collard leaves.
Aunt Aggie had no neighbors. 
She had a Smith and Wesson 
and ninety six root thick acres. 
She had record breaking reptiles 
who turned over her trash barrel 
in the lapping heat 
of those thick cricket nights. 
She had the faded yellow skies 
of August hurricanes, 
not too many water bugs, 
mildewed faces growing 
on her window screens, 
and every knick knack 
Woolworth’s ever sold. 
 
Each spring at dawn on the edge 
of the riverbank, Aunt Aggie threw 
leftovers, buckets of fish guts, 
and rotten fruit in mossy holes 
where the gators waited 
for her to call them by name: 
Miss Eula Belle! 
Matthew-Mark-Luke and John! 
Josiah Ezekiel Twain! 
Old Slow Moon! 
Little Bitty!
During mating season she crouched 
waist deep in swamp to watch 
the big ones make the water dance; 
kept a two-by-four held tight in case 
the young ones should try to get fresh. 
Aunt Aggie had a fit that stormy day 
when relatives explained the papers 
that came in the mail from The State: 
Eminent Domain.
They said maybe she should take 
the money they offered. 
Find a nice retirement home.
Everybody thought Aunt Aggie 
would shoot the lawyers 
and the politicians 
and the real estate developers 
and the police in their fat heads. 
Instead, she cut all her silver hair 
and let it float down the river 
with the moon of the green corn.
They found Aunt Aggie the next week 
curled up and brown on her porch. 
The biggest gator next to her, eating 
fish heads, bread and moldy cheese. 
Aunt Aggie’s last supper 
before her babies were put to sleep.
__________________________________________________________________________________
Snake Handling
They call him Rattlesnake,
a row of diamonds
sliced across his back
in a bar room brawl.
All the girls say he is
the best thing to curl up
on their hot back porches
since before the devil’s fall. 
They say he’s so pretty
like slant-eyed danger
wrapped in gold-brown skin,
muscles the size of sin—
he smells like a man, damnit. 
This laying on of hands
fathers do not understand,
this power to tread through
tall grass, groping under
the dark side of logs,
searching for an answer. 
When they dare to hold him,
they shed their old souls
and are born again
beneath a thrill of stars,
dancing to the rhythm
of the rock of ages. 
Speaking unknown tongues,
that ticking crescendo
of dry pinestraw is alive
like tambourines of fire.
Like strychnine shooting
through a country girl’s veins. 
The sting might not kill
but it makes them feel
like it will, and even if
they swell, they don’t
give a damn—they say
it’s better than Heaven.
I've had work published in Side of Grits, storySouth, Clapboard House, The Wilmington Review, A Carolina Literary Companion, Muscadine Lines: A Southern Journal, Calyx: A Journal of Art and Literature by Women, Grain, and Pemmican.  
Subscribe to:
Post Comments (Atom)



4 comments:
You read so good I want to move to the swamps. But if you found me dead on my porch down there with a gator beside me, I fear it would be me half eaten.
This is a good site.
Julie, you have a way of capturing that southern experience and allowing it to seep into every word and phrase of your poetry. Aunt Aggie is, in my estimation, a good example of Southern Gothic writing style.
You have not disappointed with Snake Handling. You are always true to the cultural character of the American South. Well done, my friend! Both are fantastic!
Hey, y'all. Thanks so much. Kat, you made me laugh, because I have heard the song. And then I heard a punk rendition by a bar band (can't remember who) somewhere in the 80's. That's why I laughed...it reminds me of your music man.
Christopher, you'd make tater salad out of that gator! You know I love you, dude. Yes, please stick around to check out this awesome site.
K., thank you so much. You're awesome. And thank you, Crys, for the exciting opportunity to be here. I'll shut up for now...ha! But I will stick around to read more.
Truly you're one of the best poets I read, from the big names down. Excellent, excellent work.
Post a Comment